March04
The Devil, Probably TH (Robert Bresson, 1977)
I thought this film was going to be about the apocalypse for some reason. I should probably look up what the films I'm about to watch are about. Anyways, Bresson is kind of astounding and I need to stop forgetting that.
06
Sleeping Beauty (Julia Leigh, 2011)
I liked this film a lot, but not for what it was but rather what I want it to be. I want it to be a feminist response to eurotrash so we have the story told from the anonymous female that is taken advantage by our cruel, wealthy male protagonists, except in this case they're all old so it ends up being a comment on masculinity. The protagonist is appropriately vapid and v pretty naked but this lacked the emotional resonance to be really poignant. Also I haven't seen
The Bedroom.
09
Les Demoiselles de Rocherfort TH (Jacques Demy, 1967)
There are few things more joyful.
19
Deep End (Jerzy Skolimowski, 1970)
Well made but dull. Good ending though.
24
Gothic (Ken Russell, 1986)
Eh. English major porn.
Crimes of Passion (Ken Russell, 1984)
This wasn't very good and made me really sad for Anthony Perkins. I'm so sad that he was typecast into playing psychos. That he wasn't able to be open about his homosexuality. That he died of AIDS. That he was beautiful and talented and was eaten alive by Hollywood. He was my first celebrity crush and I'm just so sad thing turned out the way they did for him.
The Key (Tinto Brass, 1983)
I'm fan of the novel and subject matter wise this is my jam, but this just fell flat.
The Howl (Tinto Brass, 1969)
I don't really like things that are related to May 68. Great aesthetically though.
25
The Saragossa Manuscript (Wojciech Has, 1965)
Over long, but I wasn't in the mood.
26
A Separation TH (Asghar Farhadi, 2011)
This and
Take Shelter are my favourite from 2011. Absolutely perfect. A really striking discourse on the failures of the family law and the captial-L law both when they interact and when challenged. The fate was a little heavy handed but that's never bothered me before. Reminded me a lot of Hegel's writings on Antigone.
30
The Seven Year Itch (Billy Wilder, 1955)
Charmant.
31
Drive (Nicolas Winding Refn, 2011)
Vapid to the point where I've already forgotten it. It would have been more interesting if the Driver had more responsibility with the husband's death, that maybe he took longer than the five minutes given and the Driver abandoned him or something. Also halfway through my mother announced that she was going to the emergency room because she kept seeing flashing lights so I was somewhat distracted. My mother's fine, it ends up it was a migrane. There are only two other instances in my life where I can remember a family member doing to the emergency room. Actually three but the third happened when I was a month old so I remember the story instead.
The Black Power Mixtape 1967-1975 (Göran Olsson, 2011)
Fantastic. Ran the risk of being a white perspective on a black discourse (the footage was from a Swedish news team) but with the commentary it managed to keep it a film about the Black Power movement that kept the appropriate voice.
Another Earth (Mike Cahill, 2011)
I was really taken by this when I first saw it, but a week later my opinion changed. The cinematography was awful (close ups as a means of indicating something important happening is just as bad as heavy handed film scores imo) and the script was too indulgent (the love story was very juvenile). I'm really interested in
The Sound of My Voice though and Brit Marling is someone I will probably follow from now on.
In other news I'm 32% of the way through
In Search of Lost Time.